Download Shane (BFI Film Classics), by Edward Countryman, Evonne Von Heussen-Countryman
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This text looks at the film Shane (1983) directed by George Stevens, then one of Hollywood's most successful film-makers. In the film, Alan Ladd plays the charismatic outsider who defends a community against a predatory gang and, in so doing, transforms the life of a family.
- Sales Rank: #1927020 in Books
- Brand: Brand: British Film Institute
- Published on: 1999-11-26
- Released on: 2008-01-22
- Original language: English
- Number of items: 1
- Dimensions: 7.51" h x .21" w x 5.28" l, .30 pounds
- Binding: Paperback
- 78 pages
- Used Book in Good Condition
Review
"Authoritatively and cogently argued in a way that often makes the book hard to put down."--"Sight and Sound
From the Back Cover
Directed by George Stevens, then one of Hollywood's most successful filmmakers, "Shane" (1952) is one of the most revered and imitated of all westerns. Starring Alan Ladd as a mysterious drifter who protects a fledgling community from a predatory gang, "Shane" is one of the definitive reimaginings of America's frontier mythology. This is, remarkably, the first substantial study of "Shane." In it, Edward Countryman and Evonne von Heussen-Countryman show, with reference to a wide range of historical and archival sources, how subtly the film treats some fundamental themes: family, the history of settlement and community in America, violence, and the culture of the gun.
About the Author
Edward Countryman teaches History at Southern Methodist University, Dallas. He has written several books on the American Revolution and was consulting editor for The BFI Companion to the Western. Evonne von Heussen-Countryman is a medical researcher.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Come back, Shane!
By Michael Samerdyke
This is a very thoughtful examination of the classic George Stevens film. The authors trace how the film was made, covering things such as Stevens' annotated copy of the novel, possible casting choices (William Holden as the father!), conditions of filming in Wyoming, scenes cut from the movie (a romantic subplot for Ben Johnson's character), and how the movie was received.
"Shane" tends to polarize fans of the Western. There are those who deeply admire it and those who find it too self-conscious. I fall into the first camp, but I think that anyone interested in the Western genre should find something of interest in this book.
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