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Rabu, 27 Februari 2013

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  • Sales Rank: #3356452 in Books
  • Published on: 2004
  • Number of items: 2
  • Binding: Paperback

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Selasa, 26 Februari 2013

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  • Published on: 2006-06-30
  • Binding: Paperback

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Kamis, 21 Februari 2013

[U583.Ebook] Download Shane (BFI Film Classics), by Edward Countryman, Evonne Von Heussen-Countryman

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This text looks at the film Shane (1983) directed by George Stevens, then one of Hollywood's most successful film-makers. In the film, Alan Ladd plays the charismatic outsider who defends a community against a predatory gang and, in so doing, transforms the life of a family.

  • Sales Rank: #1927020 in Books
  • Brand: Brand: British Film Institute
  • Published on: 1999-11-26
  • Released on: 2008-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.51" h x .21" w x 5.28" l, .30 pounds
  • Binding: Paperback
  • 78 pages
Features
  • Used Book in Good Condition

Review
"Authoritatively and cogently argued in a way that often makes the book hard to put down."--"Sight and Sound

From the Back Cover
Directed by George Stevens, then one of Hollywood's most successful filmmakers, "Shane" (1952) is one of the most revered and imitated of all westerns. Starring Alan Ladd as a mysterious drifter who protects a fledgling community from a predatory gang, "Shane" is one of the definitive reimaginings of America's frontier mythology. This is, remarkably, the first substantial study of "Shane." In it, Edward Countryman and Evonne von Heussen-Countryman show, with reference to a wide range of historical and archival sources, how subtly the film treats some fundamental themes: family, the history of settlement and community in America, violence, and the culture of the gun.

About the Author
Edward Countryman teaches History at Southern Methodist University, Dallas. He has written several books on the American Revolution and was consulting editor for The BFI Companion to the Western. Evonne von Heussen-Countryman is a medical researcher.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Come back, Shane!
By Michael Samerdyke
This is a very thoughtful examination of the classic George Stevens film. The authors trace how the film was made, covering things such as Stevens' annotated copy of the novel, possible casting choices (William Holden as the father!), conditions of filming in Wyoming, scenes cut from the movie (a romantic subplot for Ben Johnson's character), and how the movie was received.
"Shane" tends to polarize fans of the Western. There are those who deeply admire it and those who find it too self-conscious. I fall into the first camp, but I think that anyone interested in the Western genre should find something of interest in this book.

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Sabtu, 02 Februari 2013

[G355.Ebook] Free Ebook No Turning Back: The History of Feminism and the Future of Women, by Estelle Freedman

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No Turning Back: The History of Feminism and the Future of Women, by Estelle Freedman

“On the situations of women around the world today, this one book provides more illumination and insight than a dozen others combined. . . . Freedman’s survey is a triumph of global scope and informed precision.”
–NANCY F. COTT
Professor of History, Harvard University

Repeatedly declared dead by the media, the women’s movement has never been as vibrant as it is today. Indeed as Stanford professor and award-winning author Estelle B. Freedman argues in her compelling book, feminism has reached a critical momentum from which there is no turning back. Freedman examines the historical forces that have fueled the feminist movement over the past two hundred years–and explores how women today are looking to feminism for new approaches to issues of work, family, sexuality, and creativity.

Drawing examples from a variety of countries and cultures, from the past and the present, this inspiring narrative will be required reading for anyone who wishes to understand the role women play in the world. Searching in its analysis and global in its perspective, No Turning Back will stand as a defining text in one of the most important social movements of all time.

  • Sales Rank: #49319 in Books
  • Published on: 2003-01-01
  • Released on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.19" h x .94" w x 5.47" l, .82 pounds
  • Binding: Paperback
  • 464 pages

Amazon.com Review
In the preface to her engaging narrative history of feminism, No Turning Back, Estelle Freedman thanks a woman we should all thank, someone who asked her to recommend one book that best presented feminist scholarship to date. Realizing that her only suggestions would require the woman to read extensively across a range of disciplines, Freedman set out to provide that book herself. The result is an expansive but eminently readable history of feminism, its political roots and objectives, and the case for its centrality to the future of women.

While displaying an in-depth knowledge of her field in discussing women's rights, work, and the more recent history of women's political strategies, Freedman also demonstrates a willingness to engage in critical thinking beyond her own sphere and range; she explores subjects ranging from the development of labor and social roles across centuries and cultures to the ways in which race, class, and other social hierarchies inform and define different "feminisms." Acknowledging that her book does not "tell a single, unified history of revolutionary triumph," Freedman examines issues related to politics, economics, race, relationships, health, sexuality, and violence within the context of feminist history. Though it could have been a dry polemic, No Turning Back is, instead, an enthusiastic look at how and why feminist ideas have remained a part of the political landscape since their emergence. Freedman not only recognizes the complex processes of adaptation and redefinition that feminism has undergone, but proposes that this malleability is what has enabled the movement to withstand the test of time. For an obviously impassioned (but still well-reasoned and solidly supported) presentation of the story thus far, Freedman's answer to this book's instigator should now be an easy one. --S. Ketchum

From Library Journal
Stanford historian Freedman (Intimate Matters: A History of Sexuality in America) offers a comprehensive, accessible synthesis of interdisciplinary feminist scholarship, placing feminism in a global, historical framework. Freedman begins with theories of the emergence and diversification of patriarchy, outlining the ways that urbanization, colonialism, capitalism, and industrialization have intensified gender segregation and gender, race, and class hierarchies. Women's resistance to male oppression also takes many forms specific to national identity, ethnicity, and class. As Freedman points out, feminism appeared after 1800 in Europe and North America, when capitalism and republicanism emerged, creating "both the need for feminism and the means to sustain it." But while feminism was already an international movement by 1900, after 1970 it became pervasive, and Freedman's discussion encompasses not only national and cultural differences but also feminism's expression in the multiplicity of women's activities, ranging from waged work to reproduction to artistic creation. As women's political movements define much of the global agenda for the 21st century, Freedman concludes, "the quest for universal recognition of women's equal worth is not likely to be reversed." Recommended for all libraries. Cynthia Harrison, George Washington Univ., Washington, DC
Copyright 2002 Cahners Business Information, Inc.

From Booklist
Refuting a widespread misconception that feminism is either dead or irrelevant, Freedman presents a reflective history of the divergent roots of this essential yet controversial social movement, providing a forum for understanding its genesis in an effort to quell, in her words, the fear inherent in the term itself. In her critical interpretation of the issues from racial, domestic, reproductive and sexual vantage points, among others, Freedman thoroughly and thoughtfully defines the movement's history, tracing developments over time and cultures with astonishing ecumenicism, intuitively selecting both unfamiliar and generally accepted examples, thereby making them pertinent to an increasingly diverse and discriminating audience. By purposely placing feminism's historical perspective within contemporary parameters, Freedman's interdisciplinary approach provides a scholarly precept for predicting the movement's future applications while affirming its present relevance and acknowledging its past contributions. Indeed, sustaining feminism's future in the face of rapidly evolving societal customs and political ideologies is an exciting challenge, one Freedman insists global communities are not only equal to, but for which they have demonstrated historical precedence. Carol Haggas
Copyright � American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
great book

25 of 26 people found the following review helpful.
Good intro to feminism book but not earthshattering
By A Customer
I think this book would be a great present for any independent high school/college-aged woman in your life who is starting to wonder if "feminist" is a dirty word.
If you're unfamiliar with the history of the feminist movement in the U.S., or even what feminism means, this is a great book for you. Professor Freedman is an engaging writer who doesn't get bogged down in academic gibberish, nor does she insult your intelligence. Not surprisingly, Freedman teaches an "Intro to Feminism" course at Stanford, and therefore if you've taken such a class in the past 15 years, much of the material may seem quite familiar.
Her book takes readers on a whirlwind tour of feminism in the United States. She makes an effort to not fall victim to the first wave feminist tendency of assuming that all women in the U.S. are upper middle class, heterosexual, and white, yet touches only briefly on international feminism and the future of women outside of the United States. While this is understandable, as the book would otherwise be 1000 pages long, perhaps a title clarifying that it is focused on the U.S. would be helpful.

20 of 21 people found the following review helpful.
An accessible intro to feminism that ties together the past and the present
By Remy Nakamura
Freedman has managed to write a history and a survey of global feminism that is at once accessible, activist and academic.

The compact size and the colorful comic-inspired cover design of the trade paperback edition bely its serious scope. It is truly comprehensive, opening with a powerful argument for feminism (lingering on the term's ever-troubled, never-popular nature), proceeding through the history of various feminisms, marching on through topics as diverse as the impact of globalization on female laborers in the developing world to contrasting feminist opinions on the agency of sex workers. While the focus is primarily on the U.S., the global perspective does comes through. She manages to tone down the usual prominence of European and Euro-American influences while elevating the profile and contributions of feminists throughout the world. For the global sections, examples are drawn as readily from China and West Africa as from the United States. Freedman raises the bar for creating a feminist narrative that is continually mindful of the influences of class, race and culture as well as gender concerns.

I recommend this book for committed feminists, those lamenting the so-called `death of feminism,' and for closet feminists who are bothered by the f-word.

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[P333.Ebook] Download PDF Schottenfreude: German Words for the Human Condition, by Ben Schott

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Schottenfreude: German Words for the Human Condition, by Ben Schott

Schottenfreude: German Words for the Human Condition, by Ben Schott



Schottenfreude: German Words for the Human Condition, by Ben Schott

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Schottenfreude: German Words for the Human Condition, by Ben Schott

Ever thought, There should be a German word for that? Well, thanks to the brilliantly original mind behind Schott’s Original Miscellany, now there is. Schottenfreude is a unique, must-have dictionary, complete with newly coined words that explore the idiosyncrasies of life as only the German language can. In what other language but German could you construct le mot juste for a secret love of bad foods, the inability to remember jokes, Sunday-afternoon depression, the urge to yawn, the glee of gossip, reassuring your hairdresser, delight at the changing of the seasons, the urge to hoard, or the ineffable pleasure of a cold pillow? A beguiling, ideal gift book for the Gelehrte or anyone on your list—just beware of rapidly expanding (and potentially incomprehensible) vocabularies.

  • Sales Rank: #150548 in Books
  • Published on: 2013-10-31
  • Released on: 2013-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .60" w x 4.80" l, .64 pounds
  • Binding: Hardcover
  • 96 pages

Review
“Hugely inventive… Pleasantly pre-Web—a self-enclosed thing that rewards another, older kind of multitasking: reading, laughing, and learning.” – The New Yorker

“Perfectly tailored.” – The New Republic

“Elegant [and] illuminating."� – Wired �

“Genius.” – Real Simple

"[A] work of brilliance."--The Times (London)

About the Author
Ben Schott is the creator and designer of the international bestseller Schott’s Original Miscellany and its three sequels. He also wrote the news annual Schott’s Almanac (2006–2011). Together his books have sold some 2.5 million copies, in twenty one languages (including Japanese and Braille). Schott is a contributing columnist to the op-ed pages of The New York Times and a regular contributor to The Times of London. He divides his time between New York and London.

Most helpful customer reviews

27 of 29 people found the following review helpful.
Deutschw�rtervergn�gen (The Pleasure of German Words)
By Thomas E. Davis
Every book by Ben Schott is a meticulous masterpiece of conception and execution. He's best known for his delightful series of four Miscellanies (Schott's Original Miscellany, Schott's Food & Drink Miscellany, Schott's Sporting, Gaming & Idling Miscellany, and Schott's Quintessential Miscellany) and for his six Almanacs, published annually between 2006 and 2011.

Schott's newest book is unlike his previous efforts in that it has an especially specific focus -- invented German words -- but it's very much like the others in that it's so infernally clever, has been so carefully thought out, and possesses a singularly beautiful design. By going to Mr. Schott's website, benschott dot com, and clicking on The New York Times under the Journalism tab, you can link to an excerpt from the book and listen to him talk about it. There you can also read any of the numerous engaging columns he's written for the newspaper.

"Schottenfreude" is a play on the German word Schadenfreude, which means "shameful joy" or "pleasure derived from the misfortune of others." It's not among the book's 120 indexed entries, but then it's a long-established term that has decisively entered the English language along with such loanwords as Weltanschauung (worldview), Realpolitik (practical politics), Gem�tlichkeit (coziness), Wanderlust (desire to travel), Zeitgeist (spirit of the times), Gestalt (whole), and Angst (anxiety). Most of the words in this volume are longer than these examples, some comically so; Kraftfahrzeuginnenaustattungsneugeruchsgenuss, meaning "new car smell," is the longest at 45 letters. They have obviously been contrived by the author, yet they are "real" in the sense that they are perfectly justifiable and creative concatenations of concepts.

Such terms result from the nearly unlimited capacity of the German language to form compounds. They are long for good reason: each packs within it a small universe of distinct meanings, encapsulates very particular sets of denotative and connotative senses, and possesses unique emotional and cultural implications. And there is not one in this book that isn't both witty and amusing. A prime example is Gaststattenneuer�ffnungsuntergangsgewissheit (inn-new-opening-downfall-certitude or "certainty that a newly opened restaurant will fail"), which has 44 letters. On the other hand, several are as short as eight or nine letters, including "Mahlneid" (meal-envy or "coveting thy neighbor's restaurant order"), "Gastdruck" (guest-pressure or "the effort required to be a good houseguest"), and "Betttrug" (bed-deception or "disorientation upon waking in a strange bed").

Each entry, printed in a gothic font, provides a guide to pronunciation and a definition. This is followed by an insightful unpacking of the words inside and a detailed annotation, complete with lists, quotations, literary references, and the occasional illustration. The book is an elegant pleasure for book lovers, students of German, and logophiles of all stripes. I highly recommended this glittering intellectual bauble for gift-giving this holiday season, or at any time of the year.

11 of 12 people found the following review helpful.
Move over Oxford Dictionary!
By Paris fan
Ach Du Lieber! What an amazing collection of German words created by the incredible Ben Schott! From the 47 letter German word for "New car smell," to nine letter term for "The exhausting pressure of being a good houseguest," this book is a must have for anyone who has ever studied German, comes from a German heritage, or just loves the magic and power of words. The beautifully designed and bound hardcover book is in a format reminiscent of an old-fashioned photo album or autograph book is an Einartigesbuchliebhabersgeschenk--(one-of-a-kind-booklovers gift.)

9 of 10 people found the following review helpful.
Duden beware!
By George F. Simons
Recently I did a review of Liesl Schillinger’s Wordbirds: An Irreverent Lexicon for the 21st Century, an attempt to name things for which there should be a word but there isn't. I noted that the book was tongue-in-cheek, but it raised a point about the importance of word creation in the development of culture and its relationship to language. Now, for the passionate polyglot there is a similar work for fehlende Wortschatz in German. Even the title of the book is a play on words, replacing the “damages” in Schadenfreude (taking delight in others’ misfortunes) with perhaps similar delight in potential damages done to the German language by this text.

My high school German prof, besides requiring that we learn and use the already abandoned Gothic penmanship, always insisted that German was the “sectional bookcase of languages,” namely that one could put together words pretty much ad libitum to come up with new words or at least words more amply descriptive of subject one was discussing. He gave this tongue-twisting example: a single word to amply denominate a “Danube steamship cruise company captain's assistant,” namely a Donaudampfschifffahrtsgesellschaftskapit�nsassistent. Such conjunctivity is certainly the case in Schott’s book. Though his newly-minted nouna are not yet to be found in Duden, their suggested meanings can, I suspect, be more evident to the German ear than the similar English constructions in Wordbirds. There is of course tongue-in-cheek fun-poking here as well, and perhaps cause for a bit of Schadenfreude on the part of the non-German reader whose sauerkraut, lederhosen and herr professor stereotypes are tickled.

Shott’s book differs from Schillinger's in a number of ways. First, no illustrations, no birds. The words are presented three to a page, each with a pronunciation guide, the author’s definition of the word, and a translation of the exact German words that were shoved together to create the neologism. Here are a few examples that resonate to my own human condition:
1. Kissenk�hlelabsel, (pillow chill-refreshment): “The ineffable pleasure, and instant relief of the cool pillow.”
2. Traumneustartversuch, (dream – restart – experiment): “The (usually futile) attempt to return to the plot of the dream after having been woken.”
3. Marksismus, (deutsch Marks-ism [not Marxism]). “The distorting influence of wealth. (Still valid despite the €uro).

Finally, the book is in another respect much richer as the facing page produces a column of related text for each word created, sometimes historical, sometimes poetic, sometimes just a literary comment, with, of course, footnotes as to the source. How could this presume to be a German scientific work without the latter! This alongside commentary, both confirms the experience described in the newly created word and is sometimes more delightful than the concocted term itself.

A good read if you are convinced that language and culture should be fun as well as serious social constructions leading to our needing to manage political, economic, colonial and military intervention.

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[M554.Ebook] Download Ebook The Field of Cultural Production, by Pierre Bourdieu

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The Field of Cultural Production, by Pierre Bourdieu

The Field of Cultural Production, by Pierre Bourdieu



The Field of Cultural Production, by Pierre Bourdieu

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The Field of Cultural Production, by Pierre Bourdieu

During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles.

The Field of Cultural Production brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption.

Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority.

Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power.

The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power.

The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

  • Sales Rank: #111243 in Books
  • Published on: 1993-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.25" w x 1.25" l, 1.00 pounds
  • Binding: Paperback
  • 322 pages

Review

Since the early 1970s, French sociologist Bourdieu has become a major theoretical voice in the critical study of cultural practices. This volume brings together Bourdieu's major essays on art, literature, and culture, published between 1968 and 1987. It includes articles appearing in English for the first time, others previously published in book and journals but not always readily accessible, and a series of three lectures presented as the Christian Gauss Seminars in Criticism at Princeton U. in 1986, here published for the first time in any language.

(Booknews)

Review

As we have come to expect from him, Pierre Bourdieu's lucid analysis of the field of cultural production once again provides us with key terms for understanding the issues at the forefront of current critical debate. His accounts of the economy of symbolic capital and of cultural power relations will undoubtedly become classic formulations, shaping future work on the sociology of culture.

(Lisa Jardine, University of London)

From the Back Cover
The Field of Cultural Production brings together Bourdieu's most important writings on art, literature, and aesthetics. Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary, art, and cultural criticism in the late twentieth century: aesthetic value and judgement, the social contexts of cultural practice, the role of intellectuals and artists, and the structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: the writers, artists, publishers, critics, dealers, galleries and academies. He analyses the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in this volume deal with such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Production will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A Guide to Social Science Methodology
By Lara
This book is a marvelous guide to understand the proper function of science: method is not an end in itself but a means toward understanding. An analysis of literary products is applicable to the analysis of scientific products. Valuable concepts, such as field, habitus, and various forms of capital underlie the possibilities and the limits of human action. The analysis of Gustave Flaubert's L'Education Sentimental by Pierre Bourdieu is a useful blueprint for social science research. These words should have special importance for American Sociologists who, for so long, have been afflicted by an obsessive --and seldom effective-- commitment to mathematical models.

15 of 27 people found the following review helpful.
Important
By Antenna Twentythree
Bourdieu's analyses of class, taste and culture are seminal and serve as a framework for deeper examination of the embeddedness of class structure in the choices of individuals.

0 of 3 people found the following review helpful.
Five Stars
By Yuri Kang
It's like a new book.

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